In Daniela Bergschneider’s recent sculptures spiky hand moulded ceramic shapes are worked into pre-dyed Polyamid fabric, two materials that oppose each other in texture, softness and visual appearance. It is in this duality that her artistic practice lingers between the organic and the synthetic, the animate and the inanimate. Coming across as creatures or even viruses, her sculptures are made to achieve the expression she calls Visual Tactility. This quest is characterized by using her studio as a laboratory to develop forms and surfaces that are charged with enough tactile and visual information to trigger the imagination into evoking an emotional response.
Hybrida I
2020
Hybridia I, 2020 Dyed Polyamid fabric, tied-in handmoulded porcelain, constructed metal plinth 115 x 100 x 80 cm
photo: Nayara Leite
Hybridia III
2020
Hybridia III, 2020 Dyed Polyamid fabric, tied-in handmoulded and glazed stoneware, constructed metal plinth 175 x 70 x 40 cm
photo: Nayara Leite
photo: Nayara Leite
Hybridia II
2020
Hybridia II, 2020 Dyed Polyamid fabric, handmoulded and tinted porcelain, metal, 185 x 60 x 20 cm
photo: Nayara Leite
A moment between
2019
A moment between, 2019, elastic fabric, clay, tied, size variable, photo: Nayara Leite
A moment between, 2019, elastic fabric, clay, tied, size variable, photo: Nayara Leite
A moment betwee, 2019, elastic fabric, clay, tied, size variable, photo: Nayara Leite
Weiß/Schwarz
2017
Untitled
2016
Untitled, 2016, polypropylen, fabric, dyed, tied, 150 x 70 x 50 cm
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